Mozu Tombs (Emperor Nintoku's Kofun)

The Mozu Tombs are a series of 49 tombs in Sakai, Osaka which date back to the Kofun Period (c. 250 C.E. to c. 538 C.E.). The tombs are mostly keyhole/pitshaft tombs and are scattered around a small area. The largest is the Nintoku Tombulous which is believed to be the resting place of Emperor Nintoku. It’s not only the largest in this cluster, it’s the largest in all of Japan and rivals other noted earthen tombs like the Great Pyramid of Giza and the Tomb of Qin Shihuang-di in China for sheer size. Because of this achievement by the main tomb, the tumulus group has been listed as a UNESCO World Heritage Site.

For visitors: 2.

I’ll start with why this is ranked so low. The simple answer is you can’t see anything. The tomb is massive, and the central earthen mound is beyond not one, but three moats of water. But for something this large, surely visitors can make some kind of entry on the grounds, right? Absolutely not. This is the tomb of an emperor and that means it’s hallowed ground and entirely off limits to anyone without imperial consent. From the “front” at the bottom of the keyhole shape there is a gate and a stone torii, but beyond that are just trees. There are no viewing towers or similar structures nearby which offer any significant vantage point to appreciate the profound size of this one tomb. Can you fly a drone to attempt a better view? Nope. But there is a small visitor center which has a little video show all about the tombs. It does have great arial shots, but I felt let down all the same.

After all that, I will say that the rest of the nearby park is lovely and there are many smaller earthen tombs that are marked clearly with signs which you can walk around and appreciate.

Forgive me, but I’m going to rant now.

For those who know me, or have been reading my posts, I hope you are able to glean my feelings towards history and truth. If not, then let me tell you that I was taught that history is a story often told from a certain point of view. If you ask enough questions, you’ll find that most histories have holes and failings. “Yes, that thing did happen then, but it didn’t actually happen that way.” While this can sometimes feel like ruining a perfectly good story, it’s also important to reframe that story as a lie, and then ask the question: of whom did that lie benefit and whom did it suppress? It’s the job of historians to ask those questions that ruin the story so that we can find truth. In that line of thought, I do what I can to share as much accurate information as I have access to regarding the locations I visit and their histories, and sometimes that means calling BS on their believed narrative (though obviously I do my best to not be a complete jerk about it). What frustrates me the most about the Tomb of Emperor Nintoku is that the narrative surrounding it is not only covered in falsehoods, but it doesn’t take any effort to discover just how false it all is. And though one could argue we know little about the Kofun Period, I argue that we know enough to say that the imperial narrative is just not reasonable.

First, let’s talk basics about the Kofun Period of Japan and what historical facts we do have about that time. It’s important to note that we don’t have much in terms of records. Almost everything we know about pre-imperial Japan comes from accounts written by Chinese envoys because Japan didn’t have a writing system of its own. So, what do we know? We know that Japan was not centralized but instead was a series of tribe nation-states across the western half of the archipelago with a higher density around modern Nara and Osaka. Each tribe was led by a “king” and “queen.” What we’re learning more now is that in these societies, the “king” was the political and military leader of these nation-states, but true power lay with the “queens” who were the conduits between the gods and the people. They were the spiritual leaders that really dictated the direction of the nation. As a comparison, the queen was like the captain of a ship, they have all the charts and training to know where to go and how best to get there, while the king is the first officer who carries out those orders and actually runs the ship. As we discover more about early Japan, we learn that it wasn’t a patriarchal society, that even visually, it was the queens that held more power and wore more decorations. So the question must then be asked, if the queen was the actual authority figure, why is it assumed it’s a man buried in that big tomb and not a woman? We see similarities with early tombs found on the Korean Peninsula with queens wearing large golden belts with intricate designs, while the kings wore smaller golden belts with less embellishments. Now, I’m not saying that Japan and Korea did all the same things, because that’s a politically charged can of worms I don’t want to get anywhere near, but clearly there was trade and a communication of ideas between the two landmasses that helps piece together the complex unknowns of early Japan. So I ask again, who’s to say that it’s an emperor in that tomb and not an empress?

Second, by now you’re thinking something like, “Brennan, I’m sure they’ve excavated the tomb and they know it’s a dude buried there.” That’s where you’d be wrong and I have one of my biggest beef’s with the Imperial Household Agency. None of the tombs that are believed to be imperial tombs have been touched. None of them. Any tomb that the monarchy believed was imperial, they declared it as such and then restricted all access to the site. In an overly crude way, someone in the past looked at these earthen tombs and based on exterior only, decided that certain tombs were imperial, and the rest were aristocracy or some other lower rank. Tombs that are not considered imperial are allowed to be excavated by archaeologists and thanks to them we’ve learned a lot about early iconography and ceremony, but we don’t know who is buried there or the significance of the sudden boom in earthen tombs across western Japan. Once again, this leaves the rather uncomfortable and unresolved questions: but how do they know who’s buried in there? How do they know that person was imperial? And how do they know it’s a guy in there?

Lastly, we come to the widely accepted falsity: there probably wasn’t an Emperor Nintoku. While it’s always been a possibility that he could have actually existed, it’s highly doubtful because there are no documents or evidence to support the claim that he was the 16th emperor of Japan. The strongest evidence for a centralized imperial government is the tombs themselves which would have required considerable coordination to gather resources and a significant labor force to then construct a single earthen tomb in a time of divided peoples. The fact that these tombs were built suggests a possible greater community with a common goal to create these structures, which some claim would be the early imperial lineage, but that’s still supposition and inference. The honest and fair thing to say is that we just don’t know. So, what evidence do we have of early emperors? Basically, all we know is what was written in the Kojiki and the Nihon Shoki, two pseudo historical chronicles which record myths, legends, and the early emperors in Japan. Because these documents are effectively imperial propaganda to establish an undeniable authority to rule, most scholars agree that the “historical facts” laid out in its contents are dubious at best. And why aren’t they trusted, because the stories recorded aren’t corroborated by physical evidence collected from pre-imperial sites, nor do they share any similarities with documents archived by the Chinese envoys I mentioned before. You might be wondering why the Chinese would be such a trusted source? The simple answer is that they wrote down everything about everything in bones, on paper, in clay, in bronze, everywhere. The envoys are especially trusted because the Chinese emperors wanted precise information about distant lands and what tributes they could levy from them. It’s thanks to the Chinese that we know so much about so many places in early history. So, the lack of corroboration or general overlap between historically trusted sources and the official origin narrative of the Japanese imperial lineage does not support any claim to the identity of the tomb’s occupant.

This all brings me to the real reason why I ranked this so low: I just don’t respect it. I could probably respect the tomb if I could visually comprehend the massive structure far beyond the immediate tree line. But because I’m not even allowed to do that, what I’m left with is a story that I know just isn’t true. I know there isn’t an emperor in there, I know no one knows who’s in there, and I know no one’s going to be allowed to find out either. So until an honest to goodness effort has been made to seek truth and not just a convenient story, I’ve decided that it’s a woman in there, a queen who was so badass that they built one of the largest earthen tombs in the world to honor her. Since their story is based on falsehoods, there’s no rational basis to reject my claim. Either way, buck the patriarchy!

Yup, that’s all you can see.

Arial photo of the tomb. You would be a tiny dot on the left next to the street.

 

Heijô-kyô (Nara)

Heijô-kyô, only a kilometer or two outside of the modern city of Nara, is the first imperial capital of Japan. It was only recently in the 1950s that excavations uncovered the real support posts and foundations. The foundations date back to the Nara Period, after the city with the same namesake, which had a rather brief history of about one hundred years during the 8th century. Nara received its new name after the capital changed from Heijô-kyô (Nara) to Heian-kyô (Kyoto). Today, the walls, cardinal gates, and the main hall of the palace have been reconstructed approximately where they stood over a thousand years ago. As of 2019, a new series of reconstructions began in the inner courtyard of the capital where the Emperor would execute his office duties as well as live.

For visitors: 8.

The Heijô-kyô grounds are wide and rather sparse so it is my belief that people with a background of historical study will likely get more out of this rather than those visiting out of curiosity. That being said, I don’t wish to discourage anyone from taking a peek at these ruins. Taking the train into Kintetsu-Nara Station will take you across the south side of the grounds, so ride through and then decide if you want to make the quick walk over from Yamato-Saidaiji Station (大和西大寺). The palace grounds are being excavated, reconstructed, and preserved in new on site museums and visitor centers. In fact, the reconstructions are to the west of the actual remains of the palace grounds, and thanks to clever planning, bushes trimmed into cylindrical forms were planted above the original support posts so visitors can see the original layouts!

Unlike many of the sites in this section of my blog, I will say that crowds are often very small and taking the walk around the area is a welcome way to relax and enjoy the scenery. There are also some spots where you can see the excavation work that they are still doing on the grounds. At various times throughout the year, events like cultural fairs, flea markets, and festivals will take place on the grounds, drawing larger crowds of people.

NERD WARNING!!!!! Lots of incoming historical information incoming! INCOMING!!!!

So, did they always know where the capital used to stand? If not, when did they find the palace grounds? Just looking at the levels of reconstructions in place and how subtle some of them are, it can seem like for the most part the grounds keepers always knew where the palace was. However, it wasn’t until the 20th century that they even began looking for it. Its discovery is all thanks to a contracted gardener in Nara who supervised the grounds of imperial sites like Tôdaiji, Yakushiji, Imperial Kofun, and other such important sites. One day, that gardener thought to themselves, “Hmmm. I make my living maintaining sites that are supposed to be related to the ancient Nara capital, but where could that capital be?” So, in their spare time, the gardener looked around for the ancient capital. Since the fall of the Nara period back in the 8th century C.E. it’s likely that the capital was burned to the ground in the family feud which caused the change in times. Whatever the cause, the capital grounds were left to rot in disrepair until farmers began using the grounds for farming, and since then the location of the capital was forgotten until our gardener friend went digging. As I will mention momentarily, there are significant geographical clues, but there are also name clues that provided hints to narrow the area of search for the ancient capital. I mentioned Yamato-Saidaiji Station before, and this name is very important. There is no longer a Saidaiji temple still standing in that area, but its sibling, Tôdaiji, is still standing. If you don’t know, Tôdaiji means “Great East Temple,” and that means that Saidaiji means “Great West Temple.” A key factor in standard Imperial-style capital layouts is that there are key temples to the East and West. Using that information, the location of the original Nara capital could be focused to the land between the two temples. When the gardener finally found evidence of the capital, they took the information before the Imperial Household Agency and thereby the Emperor Shôwa. In 1955 (昭和三十年), Emperor Shôwa began purchasing the land from the farmers and ordered archaeological excavations and basic reconstructions to honor the Nara period.

I mentioned before that the palace of Heijô-kyô was the first Imperial capital of Japan. So, what does that mean? This means that the styling and symbology of the capital grounds follow the standards of Chinese Imperial capitals. “Brennan, this is Japan and that’s China, why would they care?” Great question! Well the simple answer is that China has always played older sibling to the rest of East Asia, because they developed before the surrounding areas. And yes, before you other history buffs start shrugging me off with all the various exceptions to that rule, I do know that’s not the case in every way. That being said, China was the ideal that others strived towards; and so to develop into a modern and true civilization meant adopting what China had established to the extent that China would recognize them. In terms of Japan, prior to the Nara period, the political leader of Japan was called a king, and the capital was constantly relocated around the Kansai area because of the beliefs regarding death (read my intros to temples and shrines). The Imperial Capital of Heijô-kyô was the first official permanent Imperial-style capital constructed in the nation’s history.

So, what sorts of things are required to make an “official” Imperial capital? It comes down to a lot of factors but I will focus on the basics. First is shape: an Imperial capital must be rectangular with the long axis running north-south and a wall designating the boundaries. Second are roads: specifically two main roads, one road running the central axis north-south with the second running east-west, which intersect in the middle of the city. These roads would be larger than the average street and be lined with the most important structures to the city, including but not limited to markets, temples, and shrines. Based on these main roads, the entirety of the city was built on a rectangular grid, similar to how most modern cities are based today. Fun fact, this is why Kyoto has a grid system and Tokyo doesn’t; Kyoto was an Imperial capital and Tokyo was a castle city. (Castle cities were often designed in a spiral and with lots of winding roads so that invading forces would get lost and confused trying to get to the keep in the center of the city). And where does the king live in this capital? Does he live in the whole thing? No, no, no, he lives in one section of this area. For one, he is no longer King of Japan. No, now he is Emperor of Japan. New capital, new titles. And his area of residence? He lives and operates in a cluster of large buildings on the north end of the city. Why in the north? That brings me to the next main factors designating a capital.

Cardinal directions: to make it very simple, they are some of the more important auspicious motifs governing the location and establishment of an Imperial capital. Each cardinal direction is represented by a divine animal which is thereby connected to a geographic feature. Let’s start where we left off: the north. The north is represented by an animal called the Black Warrior, essentially a large turtle with a snake for a tail. The Black Warrior is physically embodied by a mountain which is important because it is harder for an invading army to cross mountains, and therefore if you position a capital to have a natural defense, you need less resources to defend your city. So the Emperor sits in the north and looks to the south. The south is identified with a phoenix, or a fire bird if you wish to use a more literal Japanese-English translation. The phoenix represents a plain, specifically the plain of land that grows the crops to feed the people whom the Emperor rules. To the east is a river identified as a dragon, and to the west is a road represented as a tiger. Once you are familiar with these sorts of symbols, you will begin to notice them pop up here and there throughout various cities. Even in some cities that weren’t Imperial-style cities, areas to the west of center can have tiger references. Looking at all the official capitals in Japan’s history, both Imperial and not, they all have a river to the east of the city center. These auspicious directions don’t lose their importance even though the capital location may change. Together, these four symbols, the roads, the palace location, and much more create the foundations for an official Imperial capital city.

Inside are the traditional octagonal thrones for the Emperor and Empress. These thrones were removed from this hall and brought to Tokyo for the coronation of Emperor Reiwa in 2019.

Inside are the traditional octagonal thrones for the Emperor and Empress. These thrones were removed from this hall and brought to Tokyo for the coronation of Emperor Reiwa in 2019.

The Sakura Gate represents the southern entrance into the palace grounds. Today, the local train passes through the grounds just to the north; you can see the wire scaffolds for the train in this photo.

The Sakura Gate represents the southern entrance into the palace grounds. Today, the local train passes through the grounds just to the north; you can see the wire scaffolds for the train in this photo.

Cylindrical hedges and rough layouts illustrate where buildings and corridors would have stood over a thousand years ago.

Cylindrical hedges and rough layouts illustrate where buildings and corridors would have stood over a thousand years ago.

 

Himeji-jô

Himeji-jô, or Himeji Castle, is one of the most prominant cultural locations in Japan. Though the current castle structure dates back to the turn of the 17th century, there has been a fortified encampment located atop Himeyama, Hime Hill, since the 14th century. Himeji Castle is most recognizable for the white plaster with which it is constructed, inspiring many throughout history to compare the fortified structure to a white heron in flight. The accolades of the castle are many in number and are all deserving of their praise. In fact, Himeji Castle is one of only 14 original castles to exist in Japan following the Meiji Restoration when the majority of castles were torn down. It has been a premier filming location for films both domestic and international (Kagemusha, You Only Live Twice, and Ran to name a few). Most importantly, it’s one of only five castle keeps in Japan to be given the title of National Treasure by the Japanese Government, and it was one of the first four sites to be categorized as UNESCO World Heritage Sites in Japan.

For visitors: 10.

Trust me when I say that there are so many amazing places to visit in Japan that it takes longer than a typical vacation to properly enjoy just a fraction of what is available. That being said, when visiting the Kansai area of Japan, Himeji Castle should be near the top of your list of places to visit. This photogenic castle is one of the few surviving examples of classic fortress architecture. Across Japan, locations like Osaka Castle are only faint remnants of the wonder they were before, but Himeji-jô survives today not only as an historical landmark, but also as an interactive work of art. The majority of castles across Japan have been stripped down to the stone foundations and exist more like a pretty site for a picnic than the base of operations for the great warlords of the past. As such, Himeji Castle is truly an amazing place to visit. With many of the fortifications still in place, its gaze still watching over the greater city area, and the twisting route to the keep, it’s very easy to imagine the castle as it was a few hundred years ago.

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